First of all, I’m absolutely stunned by how prolific a writer Mr. Hubbard was. The man published 250 novels, novelettes, short stories, and screenplays in every major genre. I thought that might be a Guinness World Record or something. I googled to see who the most prolific author is, and it turns out to be a Brazilian author named Ryoki Inoue, with 1,075 books published under many pseudonyms. Still, 250 is impressive. It takes me nearly a month or more just to complete a short story. Mr. Hubbard could probably write several in a week.
This novel often gets the label of being the first modern thriller. As I was reading it, it kept bringing to mind movies like The Machinist, Memento, and Shutter Island. This novel definitely provides a surprising twist in the ending. You’ll feel a sadness for the main character Professor Jim Lowry.
The plot: Professor Jim Lowry is a man who denounces phenomena like demons, spirits, and the supernatural. He has traveled the world in his profession, investigated many obscure locations and experienced a wide variety of cultures and religions. To him, it’s all superstition: man’s way of explaining the unexplainable until efforts of material science find a true explanation. Then one day, after having a drink with his friend Tommy Williams (who, by the way, half-jokingly warns him that all his denunciation of the supernatural will antagonize the demons, motivating a vengeful return of them to ruin his life), he abruptly wakes up having lost his hat as well as the memory of the past four hours. Lowry is now on a quest to find those four hours, and during his quest is haunted by strange experiences. A shadowy phantom stalks him, only allowing him a brief glimpse in the corner of his eye. When he tries to eat dinner with Tommy and his wife Mary, his plate annoyingly and mysteriously moves, and he can’t be certain, but it looks like fangs are pointing out between the lips of his friend and wife, though when he looks directly at them, he doesn’t see fangs at all. These are just a couple of the strange happenings he experiences. I don’t want to spoil all the fun for you.
What did I enjoy about the novel? First and foremost, I had a blast falling into this twisting, strange labyrinth with Lowry. After each bizarre occurrence, I read with anticipation for what would come next. How much weirder would it get? It was fascinating seeing Lowry’s original belief system (his denunciation of the supernatural) begin to crack and give way as he encounters each new absurd event. I enjoyed the dialogue as well. Every conversation crackled with life, and felt like a genuine exchange between two people. Now, I don’t think Fear is known for its exceptional dialogue or anything like that, but it worked well for me.
What to learn from one of the weaker elements of the novel: if you can achieve the writing goal you have set for your story without certain scenes, go ahead and delete them. Author Nancy Kress once stated in her book Beginnings, Middles, and Ends that a scene must accomplish at least two of three things: advance the plot, deepen characterizations, or fill in back story. This novel is a tad bit overwritten. There were certainly scenes that distracted and slowed the pace down too much, and I found myself skimming some of the material.
Overall, I give L. Ron Hubbard’s novel Fear a 4/5 rating. You’ll have a thrilling good time in this bizarre funhouse of a story.
Kateri Stanley graduated from The Open University with a degree in Arts and Humanities and worked for the National Health Service for 8 years. When she’s not writing stories, you can find her binge-watching films, creating playlists for her projects and dabbling in the occasional video game. She currently resides in the West Midlands, United Kingdom with her partner and their two cats, George and Maxine.
Tell us a bit about your fiction. What does it mean to you, and why do you think readers will love it?
Kateri: I’m a big lover of dark fiction, no matter what the genre, whether its sci-fi, horror, thriller, mystery, drama, fantasy, romance, you name it.
My debut novel, Forgive Me (published by indie press house, darkstroke books) is about an investigative journalist called Stripe McLachlan who is hired by Isaac Payne to write an article for his online business. Stripe has had a troubled upbringing as her father was killed by the axe murderer the media labelled “The Night Scrawler”, a monster who was never found. Usually, her projects delve into more uncomfortable, questionable topics, but there’s a deep, almost hauntingly familiar pull about her new client that intrigues her. As she learns more about Isaac, Stripe digs up fresh secrets about the murders, arousing her suspicions. After an awkward confrontation, she wakes up in Isaac’s bed — with a chain around her ankle. My fiction is like another lifeline, it’s tied to my mental health. As my Mom has said before, “she needs to write or she’ll end up in a mental hospital.” Ha, very true Mom. 🙂 I hope my work gives readers an experience something they haven’t seen before but most importantly, I hope they can get lost in my characters and the story and forget about the troubles and stresses of their day. I know it’s cheesy to say, but it’s true.
Do you remember the first moment the horror/sci-fi genre attracted you?
Kateri: The power of film introduced me to the worlds of horror and sci-fi. I’ve been going to the cinema ever since I was a kid. I remember watching The Fifth Element when I was five years old, utterly besotted with the interior of the cinema as the ceiling looked like it there were tyre tracks painted across it. I also remember being fascinated with Milla Jovovich’s orange hair in the movie. 🙂
What is your creative process?
Kateri: It comes in different stages and not always in the same order. Normally an idea (it could be a situation, a scene, a character etc) springs up on me and I let it stew in my mind for a while. Characters and the story build up and if I think it has potential, I plot it out. Before I start to write a project, I normally have a general idea of what is going to happen in the story and how it will end. I plot several chapters and then I write them out and I repeat this process. Sometimes things will happen, a character will do or say something I didn’t see coming. I love it when that happens, it keeps me on my toes and it means the characters are coming out of their shells. I always write to music and I keep a list of the songs for each project. I find having something playing my ears really helps me get into the zone especially when it comes to a handling a delicate scenario like an emotionally charged scene.
What are some of your favorite books and movies?
Kateri: I have an ever-growing list of books and movies I love so I can’t pick favourites. But if I had to choose I adore Hannibal by Thomas Harris and the movie, The Crow starring the late and beautiful, Brandon Lee.
If you could have a superpower, what would it be?
Kateri: The power of levitation would be great. I’d make a mug of tea sitting in the office and have it floating up the stairs to my desk.
Any new projects we can see from you in the future?
Kateri: The audiobook of my debut novel, Forgive Me is being recorded right this second. My wonderful producer/narrator, Zack Kirchner is working really hard and we’re aiming for a Halloween release. I recently completed my second novel, a supernatural mystery/thriller called From the Deep. I’m currently putting the feelers out for it, hoping it will be out sometime in 2022.I’ve also made a start on Book no.3 which will be a dark supernatural drama with historical and religious elements.
Shawn Burgess is a dark fiction author, avid horror fan, and Halloween junkie. He has a BA in English from the University of Florida and focused on literature for his postgraduate studies at the University of North Florida. His stories often blend two or more of his preferred genres: thriller, mystery, horror, crime/police procedural, urban fantasy, and suspense.
In his fictional worlds, realistic characters collide with the strange, unusual, and sometimes frightening. Ghosts of Grief Hollow, the sequel to his Amazon international best-selling debut novel, The Tear Collector, is due out in late 2021.
Tell us a bit about your fiction. What does it mean to you, and why do you think readers will love it?
I’m a dark fiction writer with a tendency to blend several genres, so my stories may not always fit neatly into one box. I like to tell complex tales with fairly large casts—perhaps partly because of my propensity for ushering many of them to tragic and sudden ends. I’m a big believer in having at least some relatable main characters that readers may readily identify and empathize with. I’m also intending to ground a reader in a realistic feeling world before things really go sideways so that they’ll maintain a level of suspension of disbelief. You’ll uncover more about my characters through their dialogue, actions, interactions, and behaviors than anything I’ll ever outright tell you in a story, which is my preference for both characterization and pacing.
Looking at the bigger picture, I love the strange, unusual, and terrifying. The supernatural, paranormal, and the occult. Ordinary, every-day people confronted with the most extraordinary of circumstances and phenomena. It’s in those moments and all the ones leading up to it, that we really discover who these characters truly are. Despite modern society’s technological advances, there exists that kernel of doubt, the sense that we as human beings can’t possibly understand everything that coinhabits the Earth with us—and that’s where I like to play most as a writer—amidst all that fear and wonderment.
To me, fiction is pure, unadulterated freedom. I can go anywhere on the page, within the confines of my own story, of course, but the possibilities are truly boundless. I write with one overarching goal, to tell a compelling story that will hopefully entertain and thrill most readers.
If you like action, adventure, mystery, suspense, and horror with memorable characters, I believe you will enjoy my fiction. Like twists and turns as well? We’re probably reading from the same sheet of music in terms of taste for what we like to read and what I like to write.
Do you remember the first moment the horror/sci-fi genre attracted you?
My parents were part of an organization that built haunted houses for their biggest charity fundraising event each year. I was exposed to it at an early age. My father also had a love for Halloween and would build a home haunt to entertain and scare kids and parents alike. I naturally gravitated to these creepy things and found enjoyment in them.
Allowing yourself to get scared by putting yourself in these situations while knowing you’re not actually going to be harmed is exhilarating, fun, and reminds us we’re alive. It’s why Halloween has become a multi-billion-dollar holiday, and why events like Universal’s Halloween Horror Nights seem to print money every year.
As I got older, I found that same enjoyment in books and movies. It was a natural extension of the things I already enjoyed, and my writing would quickly follow in the same path.
My copy of The Tear Collector! You can find it on Amazon!
What’s your creative process?
With my debut novel The Tear Collector, I began with three characters in a dialogue exchange. From that small scene, I got a very clear picture of who each character was. I built the rest of the novel around it. I mostly wrote it on airplanes at 30,000 feet and in hotel rooms while traveling for work. My soon-to-be-released sequel, Ghosts of Grief Hollow, was written during the pandemic. I started with an idea for how I wanted it to start and end, plus a few key scenes, and wrote it from about 10PM-2AM each night over the course of about five months, so it was really quite different for me as far as the execution of it.
As it relates to the creative process itself, I’m rather flexible, depending on the demands of the project. I don’t really have any set writing rituals I keep. I have a notebook of novel ideas and choose whatever sounds like the most fun for me to write. I don’t work from outlines but do tend to plot in my head quite a bit further into the manuscript than wherever I’m currently working in it. I always leave room to take enticing opportunities when they present themselves, and I’m not necessarily married to an ending I’ve selected at the onset. This rough structure works for me and likely leads to the books having more unexpected twists and turns.
What are some of your favorite books and movies?
There are so many fabulous books and movies I love. I’ll start with some books, but I’m going to give more of the love to some indie and smaller press authors because they’re fantastic and they don’t necessarily garner the attention of the King’s and Koontz’s of the world.
One of my recent favorite books was Ross Jeffery’s cosmic horror novel Tome. This is probably the most high-profile book I’ll talk about in regards to indies since it was nominated for a Stoker Award. Jeffery’s writing is terrific, and I was gripped throughout, even as some truly horrifying things were happening on the page. Think the old HBO prison series Oz meets cosmic horror and you have a recipe for an excellent read.
The Navajo Nightmare coauthored by Steve Stred and David Sodergren was a splatterpunk Western that was really a lot of fun. A supernatural tale of revenge about a gunslinger trying to make an honest go of it, and being dragged back into his old life and worse. It’s a true blood fest, but a really compelling read.
There’s a new novella coming out by indie author Dan Soule called The Jam that I got an opportunity to get an early look at, and I absolutely loved it. It was really a fun and unpredictable story.
I’d be remiss if I didn’t mention a few others, Dawn Hosmer’s Bits & Pieces, Angelique Jordonna’s Dani, Charly Cox’s All His Pretty Girls, Jotham Austin’s Will You Still Love Me if I Become Someone Else? and Barlow Adams’ Appalachian Alchemy—all of them excellent reads.
As far as big presses go, Chasing the Boogeyman by Richard Chizmar was a recent favorite that I tore through, and I thought Ring Shout by P. Djeli Clark was fantastic.
Some of my favorite movies are The Silence of the Lambs (also loved the book), Seven, The Lost Boys, Better Off Dead, The Shawshank Redemption, The Green Mile, A Quiet Place II, Get Out, Pumpkinhead, Beetlejuice, Jaws, John Carpenter’s The Thing, Jeepers Creepers, The Prophesy with Christopher Walken, and In the Mouth of Madness, just to name a few.
If you could have a superpower, what would it be?
Superpowers are a slippery slope. As a dark fiction and horror writer, I imagine them in the wrong hands being used for very nefarious purposes. Take the thriller, The Invisible Man—no good can come from that. For my own superpower, I’d choose the ability to miraculously heal other people, at the cost of years taken off my own life each time the power was used. Every superpower needs some type of built-in guardrail. Otherwise, I could heal the countless masses, leading to an explosion of the Earth’s population, scarcity of resources, and most likely, my subsequent murder.
What advice do you have for the novice writer?
Write and read as much as you can. Fill up notebooks, even if you know it’s with stories and scribblings that will likely never be published. The more you practice, the better you will become. In my eyes, the most important thing about writing is having fun. If you’re having fun with your story, it’s much more likely to connect with a potential audience. If it feels like a chore, you’re probably writing the wrong story, or perhaps approaching it in the wrong way. Never put too much pressure on yourself. That’s not to say don’t be driven to accomplish your writing goals but remember that writing is only one part of this amazing life we’ve been given. Make sure you live it to the fullest.
What are your plans for the future?
Right now, I’m just enjoying life with my wonderful wife and two amazing sons while writing on novels in the evening. In the next few months, my second novel Ghosts of Grief Hollow is set to release. I immersed myself wholly into this project during the pandemic. I’m really thrilled with how it turned out and can’t wait to share it with readers. In addition, I’m picking back up on a novel project I paused in order to write GoGH. It’s pretty different than The Tear Collector and one I hope readers will thoroughly enjoy. Other than that, I plan to continue putting out novels as frequently as I can write, revise, and edit them. Ideally, I’d love to see one of more them ultimately translated into film, which is also a medium I love.
A Writer's Journey 